PHD Comp
international PHD Programme in Comparative Studies
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Our Programme
General Overview
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Our Courses
Study Plan
Curricular Structure
Core Seminars 2020/2021
Graduate Research 1 (S3, 2020/2021)
Graduate Research 2 (S4, 2020/2021)
PhD theses
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The Future of Comparative Studies – PhD-COMP / PEC International Seminar
PhD Defenses
Contacts
Archive
Core Seminars
Core Seminars 2019-2020
Topics in Comparative Studies 1 (S1, 2019/2020)
Topics in Comparative Studies 2 (S1, 2019/2020)
Topics in Comparative Studies 3 (S2, 2019/2020)
Interarts Seminar (S2, 2019/2020)
Graduate Research 1 (S3, 2019/2020)
Graduate Research 2 (S4, 2019/2020)
Core seminars 2018/2019
Topics in Comparative Studies 1 (S1, 2018/2019)
Topics in Comparative Studies 2 (S1, 2018/2019)
Topics in Comparative Studies 3 (S2, 2018/2019)
Interarts Seminar (S2, 2018/2019)
Graduate Research 1 (S3, 2018/2019)
Graduate Research 2 (S4, 2018/2019)
Core Seminars 2017/2018
Topics in Comparative Studies 1 (S1, 2017/2018)
Topics in Comparative Studies 2 (S1, 2017/2018)
Topics in Comparative Studies 3 (S2, 2017/2018)
Interarts Seminar (S2, 2017/2018)
Graduate Research 1 (S3, 2017/2018)
Graduate Research 2 (S4, 2017/2018)
Core Seminars 2016/2017
Topics in Comparative Studies 1 (S1, 2016/2017)
Topics in Comparative Studies 2 (S1, 2016/2017)
Topics in Comparative Studies 3 (S2, 2016/2017)
Interarts Seminar (S2, 2016/2017)
Graduate Research 1 (S3, 2016/2017)
Graduate Research 2 (S4, 2016/2017)
Core Seminars 2015/2016
Topics in Comparative Studies 1
Topics in Comparative Studies 2
Topics in Comparative Studies 3
Interarts Study
Events
Open Seminar «Voice and Voices in Literature»
Open Lecture: The Writing on the Wall
Mesa-redonda: Boas práticas de publicação científica
Opening Lecture of the Academic Year 2022-2023
Block seminar: Marta Puxan-Oliva
Open Lecture: Estela Vieira
Future Pathways and Postdoctoral Programmes
Opening Lecture of the academic year 2021/2022
Open Lecture: Stranger in Bali. An Examination of Oka Rusmini’s Tarian Bumi (Earth Dance)
Literature and the End of the World: Apocalyptic Imagination in the 20th and 21st centuries
PhD-COMP Self-Organised Student Workshops 2019/2020
Opening Lecture of the academic year 2020/2021
Academic Achievements and Career Pathways for PhDs
The self remembered. A poetics of dislocation and translatedness in contemporary memoirs
Panel on the job market: Careers for PhDs
Seminar: Colonial War and National Memory in Aotearoa New Zealand
Opening Lecture of the academic year 2019/2020
Artistic Work as a Practice of Translation on the Global Art Market. Dance-theoretical and postcolonial Reflections on the Artwork of African Dancers and Choreographers
Ecologies of the bodies. Post-abyssal reflections on feminisms from African women’s literature
A Story is Always Born Twice. Issues in Adaptation
O Camões dos Orientalistas
Opening Lecture of the academic year 2018/2019
Theorizing Historical Research at the Intersection of Gender and Film/Media Studies
On photoliterature: methodology and perspective
Opening Lecture of the academic year 2017/2018
“The air of design”: Accidents in the Modern experience
Sympathy, Science & the State: Aesthetic Ideologies of the Very Long Nineteenth Century
Narrative Dynamics
On African Cinema
Publication in Academic Journals: The Example of ‘Textual Practice’
Past Admissions
Results of the 2019/2020 call
Call for applications 2019/2020
Results of the 2018/2019 call
Call for applications 2018/2019
Results of the 2017/2018 call
Results of the 2016/2017 call – 2nd round of admissions
Results of the 2016/2017 call – 1st round of admissions
Results of the 2015/2016 call
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14 February, 2018
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