PHD Comp

international PHD Programme in Comparative Studies

PHD Comp

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  • PT \\
  • Our Programme
    • General Overview
    • Supervision
    • Mobility
    • Language
  • Our Courses
    • Study Plan
    • Curricular Structure
    • Core Seminars 2020/2021
      • Graduate Research 1 (S3, 2020/2021)
      • Graduate Research 2 (S4, 2020/2021)
  • PhD theses
    • Public discussions
    • Theses concluded
  • People
    • Teaching Staff
    • Directive Board and Programme Director
    • External Advisory Committee
    • PhD Students
  • Admissions and Applications
    • Admissions criteria
    • Selection and ranking criteria
    • Scholarships
  • News
    • The Future of Comparative Studies – PhD-COMP / PEC International Seminar
    • PhD Defenses
  • Contacts
  • Archive
    • Core Seminars
      • Core Seminars 2019-2020
        • Topics in Comparative Studies 1 (S1, 2019/2020)     
        • Topics in Comparative Studies 2 (S1, 2019/2020)
        • Topics in Comparative Studies 3 (S2, 2019/2020)
        • Interarts Seminar (S2, 2019/2020)
        • Graduate Research 1 (S3, 2019/2020)
        • Graduate Research 2 (S4, 2019/2020)
      • Core seminars 2018/2019
        • Topics in Comparative Studies 1 (S1, 2018/2019)
        • Topics in Comparative Studies 2 (S1, 2018/2019)
        • Topics in Comparative Studies 3 (S2, 2018/2019)
        • Interarts Seminar (S2, 2018/2019)
        • Graduate Research 1 (S3, 2018/2019)
        • Graduate Research 2 (S4, 2018/2019)
      • Core Seminars 2017/2018
        • Topics in Comparative Studies 1 (S1, 2017/2018)
        • Topics in Comparative Studies 2 (S1, 2017/2018)
        • Topics in Comparative Studies 3 (S2, 2017/2018)
        • Interarts Seminar (S2, 2017/2018)
        • Graduate Research 1 (S3, 2017/2018)
        • Graduate Research 2 (S4, 2017/2018)
      • Core Seminars 2016/2017
        • Topics in Comparative Studies 1 (S1, 2016/2017)
        • Topics in Comparative Studies 2 (S1, 2016/2017)
        • Topics in Comparative Studies 3 (S2, 2016/2017)
        • Interarts Seminar (S2, 2016/2017)
        • Graduate Research 1 (S3, 2016/2017)
        • Graduate Research 2 (S4, 2016/2017)
      • Core Seminars 2015/2016
        • Topics in Comparative Studies 1
        • Topics in Comparative Studies 2
        • Topics in Comparative Studies 3
        • Interarts Study
    • Events
      • Open Seminar «Voice and Voices in Literature»
      • Open Lecture: The Writing on the Wall
      • Mesa-redonda: Boas práticas de publicação científica
      • Opening Lecture of the Academic Year 2022-2023
      • Block seminar: Marta Puxan-Oliva
      • Open Lecture: Estela Vieira
      • Future Pathways and Postdoctoral Programmes
      • Opening Lecture of the academic year 2021/2022
      • Open Lecture: Stranger in Bali. An Examination of Oka Rusmini’s Tarian Bumi (Earth Dance)
      • Literature and the End of the World: Apocalyptic Imagination in the 20th and 21st centuries
      • PhD-COMP Self-Organised Student Workshops 2019/2020
      • Opening Lecture of the academic year 2020/2021
      • Academic Achievements and Career Pathways for PhDs
      • The self remembered. A poetics of dislocation and translatedness in contemporary memoirs
      • Panel on the job market: Careers for PhDs
      • Seminar: Colonial War and National Memory in Aotearoa New Zealand
      • Opening Lecture of the academic year 2019/2020
      • Artistic Work as a Practice of Translation on the Global Art Market. Dance-theoretical and postcolonial Reflections on the Artwork of African Dancers and Choreographers
      • Ecologies of the bodies. Post-abyssal reflections on feminisms from African women’s literature
      • A Story is Always Born Twice. Issues in Adaptation
      • O Camões dos Orientalistas
      • Opening Lecture of the academic year 2018/2019
      • Theorizing Historical Research at the Intersection of Gender and Film/Media Studies
      • On photoliterature: methodology and perspective
      • Opening Lecture of the academic year 2017/2018
      • “The air of design”: Accidents in the Modern experience
      • Sympathy, Science & the State: Aesthetic Ideologies of the Very Long Nineteenth Century
      • Narrative Dynamics
      • On African Cinema
      • Publication in Academic Journals: The Example of ‘Textual Practice’
    • Past Admissions
      • Results of the 2019/2020 call
      • Call for applications 2019/2020
      • Results of the 2018/2019 call
      • Call for applications 2018/2019
      • Results of the 2017/2018 call
      • Results of the 2016/2017 call – 2nd round of admissions
      • Results of the 2016/2017 call – 1st round of admissions
      • Results of the 2015/2016 call

Mário Jorge Torres

Mário Jorge Torres is retired Associate Professor at the Department of English Studies of the School of Arts and Humanities, University of Lisbon.

At the Centre for Comparative Studies, he coordinated the project (Re)Written on the Wind – Melodrama Among the Arts, and participated in the project False Movement – Studies on Writing and Film.

His main areas of research are North American literature and culture, comparative literature and film studies.

Candidaturas ao Doutoramento em Estudos Comparatistas  //

Applications to the PhD   in Comparative Studies

 

 

 

PHD Comp | 2015