PHD Comp

international PHD Programme in Comparative Studies

PHD Comp

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    • Core Seminars
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        • Graduate Research 2 (S4, 2019/2020)
      • Core seminars 2018/2019
        • Topics in Comparative Studies 1 (S1, 2018/2019)
        • Topics in Comparative Studies 2 (S1, 2018/2019)
        • Topics in Comparative Studies 3 (S2, 2018/2019)
        • Interarts Seminar (S2, 2018/2019)
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        • Graduate Research 2 (S4, 2018/2019)
      • Core Seminars 2017/2018
        • Topics in Comparative Studies 1 (S1, 2017/2018)
        • Topics in Comparative Studies 2 (S1, 2017/2018)
        • Topics in Comparative Studies 3 (S2, 2017/2018)
        • Interarts Seminar (S2, 2017/2018)
        • Graduate Research 1 (S3, 2017/2018)
        • Graduate Research 2 (S4, 2017/2018)
      • Core Seminars 2016/2017
        • Topics in Comparative Studies 1 (S1, 2016/2017)
        • Topics in Comparative Studies 2 (S1, 2016/2017)
        • Topics in Comparative Studies 3 (S2, 2016/2017)
        • Interarts Seminar (S2, 2016/2017)
        • Graduate Research 1 (S3, 2016/2017)
        • Graduate Research 2 (S4, 2016/2017)
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        • Topics in Comparative Studies 1
        • Topics in Comparative Studies 2
        • Topics in Comparative Studies 3
        • Interarts Study
    • Events
      • Block seminar: Marta Puxan-Oliva
      • Open Lecture: Estela Vieira
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      • Opening Lecture of the academic year 2021/2022
      • Open Lecture: Stranger in Bali. An Examination of Oka Rusmini’s Tarian Bumi (Earth Dance)
      • Literature and the End of the World: Apocalyptic Imagination in the 20th and 21st centuries
      • PhD-COMP Self-Organised Student Workshops 2019/2020
      • Opening Lecture of the academic year 2020/2021
      • Academic Achievements and Career Pathways for PhDs
      • The self remembered. A poetics of dislocation and translatedness in contemporary memoirs
      • Panel on the job market: Careers for PhDs
      • Seminar: Colonial War and National Memory in Aotearoa New Zealand
      • Opening Lecture of the academic year 2019/2020
      • Artistic Work as a Practice of Translation on the Global Art Market. Dance-theoretical and postcolonial Reflections on the Artwork of African Dancers and Choreographers
      • Ecologies of the bodies. Post-abyssal reflections on feminisms from African women’s literature
      • A Story is Always Born Twice. Issues in Adaptation
      • O Camões dos Orientalistas
      • Opening Lecture of the academic year 2018/2019
      • Theorizing Historical Research at the Intersection of Gender and Film/Media Studies
      • On photoliterature: methodology and perspective
      • Opening Lecture of the academic year 2017/2018
      • “The air of design”: Accidents in the Modern experience
      • Sympathy, Science & the State: Aesthetic Ideologies of the Very Long Nineteenth Century
      • Narrative Dynamics
      • On African Cinema
      • Publication in Academic Journals: The Example of ‘Textual Practice’
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      • Results of the 2016/2017 call – 1st round of admissions
      • Results of the 2015/2016 call

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Is still «women» a useful category for cultural and historical analysis?

Publicado em 10 June, 2018, com 4000 × 3000 em Theorizing Historical Research at the Intersection of Gender and Film/Media Studies
PHD Comp | 2015